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The Princesses Are Back!

A New Exhibition of Schadow’s Princess Group in the Friedrichswerdersche Kirche

Johann Wolfgang von Goethe once adoringly described sisters the Luise and Friederike of Mecklenburg-Strelitz as “heavenly visions, whose impression upon me will never be effaced”.

  • Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Detail, Gips, Zustand nach der Restaurierung

    Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Detail, Gips, Zustand nach der Restaurierung

  • Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Detail, Gips, Zustand nach der Restaurierung

    Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Detail, Gips, Zustand nach der Restaurierung

  • Blick auf die Friedrichswerdersche Kirche, Aufnahme 2020

    Blick auf die Friedrichswerdersche Kirche, Aufnahme 2020

  • Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, Detail, 1795, Gips, Aufstellung in der Friedrichswerderschen Kirche, 2023

    Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, Detail, 1795, Gips, Aufstellung in der Friedrichswerderschen Kirche, 2023

  • Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Gips, Aufstellung in der Friedrichswerderschen Kirche, 2023

    Johann Gottfried Schadow, Doppelstandbild der Prinzessinnen Luise und Friederike von Preußen, sog. Prinzessinnengruppe, 1795, Gips, Aufstellung in der Friedrichswerderschen Kirche, 2023

Johann Wolfgang von Goethe once adoringly described sisters the Luise and Friederike of Mecklenburg-Strelitz as “heavenly visions, whose impression upon me will never be effaced”. Sculptor Johann Gottfried Schadow erected a monument to their elegance and grace, creating an icon of European classicism with his double sculpted portrait of the “Crown Princess Luise of Prussia and her Sister Princess Friederike of Mecklenburg-Strelitz”.

The statue of these two figures, which has come to be known under the abbreviated title Princess Group, is one of the highlights of the Alte Nationalgalerie’s collection (along with Caspar David Friedrich’s Monk by the Sea). The marble version, which was completed in 1797, currently welcomes visitors as they enter the main museum building on the Museumsinsel, while the plaster replica of the statue has drawn crowds to the permanent sculpture exhibition in the Friedrichswerdersche Kirche for decades. The sculpture will be back on permanent display there from this April.

The original plaster cast has a particular significance within both the broader context of Schadow’s oeuvre and that of 19th-century sculpture: it is here that not only the artist’s creative signature is at its most palpable, but also the thrilling genesis of the double-figure statue. The fragile plaster cast has been relocated on several occasions throughout the centuries, causing it to sustain severe damage in the process. Thanks to the generous support of the Rudolf-August Oetker-Stiftung, the Hermann Reemtsma Stiftung, and the Kulturstiftung der Länder, the original plaster cast was able to be successfully restored in an unprecedented research and restoration project.

After the original plaster cast and the marble version of the statue were shown side-by-side for the first time in the exhibition Embracing Forms: Johann Gottfried Schadow, the Princess Group will now be newly exhibited as part of the permanent sculpture exhibition in the Friedrichswerdersche Kirche, in conjunction with a special presentation focussing on its restoration.

A weekend of activities and events will be held on Saturday 22 April and Sunday 23 April from 10 am to 6 pm

A special presentation by the Nationalgalerie of the Staatliche Museen zu Berlin. Admission is free.

Runtime: from April 2023

Takes place here:

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