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Trans(in) Moan(in)

Mourning Sociality

Mourning Sociality

© Dina Mimi

How do we learn to become intimate with one another by ways of sounding together, through the difference of our dispossessions without separating? This performance serves as a way to be made and unmade by the sound of the Transmoan, a wayward sound that combines the raw emotion of the analog moan with the driving force of the techno beat. "Waywardness" is a term by Saidiya Hartman that serves “as the social poësis that sustains the dispossessed.” By practicing the Transmoan the exercise of spilling over, leaking into the cracks of solid subjectivity and inserting with a wild groan the tale of the errant pathways becomes performance. The Transmoan serves as an artistic framework through which one can converse with the inheritance of loss and grief and explore how relationalities beyond the impossible become possible.
The performance takes place as part of the tanzpol festival. More information can also be found at: .

60 min (Performance), 30 min (Artist-Talk)

tanzpol is funded by Senate Department for Culture and Community and with funds from The Capital Cultural Fund (Hauptstadtkulturfonds) and Goethe-Institut im Exil. With kind support of the Institut français and the French Ministry of Culture, International Theater Institute Germany (ITI), Sophiensaele and Uferstudios Berlin. Concept, composition, performance: Raoni/Muzho SalehSound design, composition, performance: Abel KroonLight design: Juli FrodermannAdvisor on light design: Katinka Marac

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