© dpa
Weekend Tips: What to Do This Weekend in Berlin
September 25 to 27, 2026: Events, festivals, exhibitions and more things to do for your perfect weekend in Berlin. more
Somatic Shrines for Crip Times: Act I
Date details
- Date Sunday, 25/October/2026 14:00 ( 2 more dates )
- Venue Uferstudios - Uferstudio 14
- Address Uferstraße 23, 13357 Berlin-Wedding
- Price from €15.00
Book tickets for this date
Public transportation
-
Underground
-
U Nauener Platz
- U9
-
U Osloer Str.
- U9
-
U Nauener Platz
-
Bus
-
Uferstr.
- N8
-
Brunnenplatz
- M27
-
Exerzierstr.
- N9
-
U Pankstr.
- N8
- U8
- M27
-
U Osloer Str.
- N8
- U8
- 150
- 255
- N9
- N52
- 125
- 128
-
Wiesenstr.
- M27
-
U Nauener Platz
- 247
- 327
- N9
-
Schererstr.
- 247
-
Drontheimer Str.
- 150
- 255
- N52
-
U Osloer Str./Tromsöer Str.
- 125
- 128
- N8
- U8
-
Humboldtsteg
- 247
-
Iranische Str.
- 327
- N9
-
Berlin, Osloer Str./Prinzenallee
- M27
-
Uferstr.
-
Tram
-
Drontheimer Str.
- 50
- M13
-
U Osloer Str.
- 50
- M13
-
Berlin, Osloer Str./Prinzenallee
- 50
- M13
-
Drontheimer Str.
Part of:
Somatic Shrines for Crip Times: Act I
Somatic Shrines for Crip Times: Act I – Drei Personen posieren vor buntem Hintergrund, mittlere Person mit nacktem Oberkörper, andere Personen in legerer Kleidung.
© Justus Harris
Somatic Shrines for Crip Times: Act I – Drei maskierte Personen in Tanzposen vor einer roten Gestalt mit blauen Augen und lila Energie umgeben von grünem und rotem Licht.
© Justus Harris, Sebastian Steins
Somatic Shrines for Crip Times: Act I – Vier Personen vor einem abstrakten, rot-violetten Hintergrund, alle mit ausgestreckten Armen in verschiedenen Posen.
© Justus Harris
Somatic Shrines for Crip Times is an immersive performance and exhibition modeled on the concept of a shrine honoring the lived experience of people with disabilities. The project creates an aesthetic language for what disability feels like made visible through performance, digital art, and health advocacy.
The performance consists of offerings given to imagined avatars connected to emotions including pleasure, grief, and anger within the context of disability experiences. These avatars are digitally projected and emerge during the piece as embodiments of disability experience and wisdom. Each performer gives a specific offering to their avatar through personal gesture and choreography drawn from their own experience, translating emotion into color, visual animation, and form. The audience is positioned in a variety of accessible seating options as the avatars move between the performers, creating a speculative space in which disability wisdom can be communicated across time and between people.
The process is designed to make participation more accessible for people with disabilities while also capturing subtle emotions and sensory experiences from lived experience. Some aspects of production are created in domestic settings and virtually, reflecting the reality that not all people with disabilities can travel or leave their homes. Elements of the work are developed through access-centered practices including choreography rooted in disability experience, masking, and COVID testing. The performance is a method to share the realities that are left socially invisible but are visceral, vibrant, and living just beneath the surface.
90 Minuten
The performance consists of offerings given to imagined avatars connected to emotions including pleasure, grief, and anger within the context of disability experiences. These avatars are digitally projected and emerge during the piece as embodiments of disability experience and wisdom. Each performer gives a specific offering to their avatar through personal gesture and choreography drawn from their own experience, translating emotion into color, visual animation, and form. The audience is positioned in a variety of accessible seating options as the avatars move between the performers, creating a speculative space in which disability wisdom can be communicated across time and between people.
The process is designed to make participation more accessible for people with disabilities while also capturing subtle emotions and sensory experiences from lived experience. Some aspects of production are created in domestic settings and virtually, reflecting the reality that not all people with disabilities can travel or leave their homes. Elements of the work are developed through access-centered practices including choreography rooted in disability experience, masking, and COVID testing. The performance is a method to share the realities that are left socially invisible but are visceral, vibrant, and living just beneath the surface.
90 Minuten
Funded by the Berlin Senate – Department for Culture and Social Cohesion.Artistic Director / Creative Producer / Performer: Justus Harris (he/they) Performer-Collaborator: Derin Cankaya (they/them), Madeline Shann (she/her) Assistant Creative Producer: Joelle Burrichter (they/them) Access Consulting: Juli Reinartz (she/her) Trainer in Community Organizing Methodology, advising on accessibility: Ann (she/they) Accessible Choreography Consulting: Sabina Moe (they/them) 3D rendering: Nikita FREEBOID (he/him) Videography: Kit Blamire (they/them), Sebastian Steins (he/they) Collaboration Partners: PSR Collective Outside Eye: Estrellx Supernova (they/them) PR Support and Text Review: Rashayla Marie Brown
Support and Acknowledgments during the research phase: Sophie Mars (she/her), Lacy Barry (she/her), Adam Borut (he/him), Sherry Ohly (she/her), Elbe Trakal (he/him), Romolo, Liza Bernstein (she/they), Lisa Goldman, and the workshop participants.
Support and Acknowledgments during the research phase: Sophie Mars (she/her), Lacy Barry (she/her), Adam Borut (he/him), Sherry Ohly (she/her), Elbe Trakal (he/him), Romolo, Liza Bernstein (she/they), Lisa Goldman, and the workshop participants.
Alternative events
© Michiel Keuper
Cranky Choreographing Books
Twenty years after Choreographing Books“, Peter Pleyer once again picks up the thread of a development: writing about dance and the dance that emerges from that writing. moreabout: Cranky Choreographing Books
- Date:
- Sunday, 25/October/2026 19:30
- Venue:
- Dock 11 - Dock Art Theater
- Address:
- Kastanienallee 79, 10435 Berlin-Prenzlauer Berg
- Price:
- from €18.02
© Eventim
Urban Choreography Dance | DNA. CLUB
- Next date:
- Urban Choreography Dance
- Date:
- Monday, 26/October/2026 18:00 (5 more dates)
- Venue:
- DNA. CLUB
- Address:
- Adalbertstraße 98, 10999 Berlin-Kreisfreie Stadt Berlin
- Price:
- from €18.02
© Eventim
Salsa Social - Dance & Connect | dna-artclub
- Next date:
- Salsa Social - Dance & Connect
- Date:
- Monday, 26/October/2026 18:00 (4 more dates)
- Venue:
- DNA Art House
- Address:
- Wrangelstraße 25, 10997 Berlin-Kreuzberg
- Price:
- from €18.02
© Eventim
Dance Fitness & Bollywood Hip-Hop
- Date:
- Monday, 26/October/2026 19:00 (4 more dates)
- Venue:
- DNA Art House
- Address:
- Wrangelstraße 25, 10997 Berlin-Kreuzberg
- Price:
- from €18.02
© Eventim
Twerk Dance (Beginners) | DNA. CLUB
Join us for an inspiring & exciting session filled with welcoming atmosphere - where You can truly dance like You own the club. This Dance Class takes place in our new club location in the heart of Kreuzberg, at Kottbusser Tor - with a spacious indoor... moreabout: Twerk Dance (Beginners) | DNA. CLUB
- Next date:
- Twerk Dance (Beginners)
- Date:
- Monday, 26/October/2026 19:00 (4 more dates)
- Venue:
- DNA. CLUB
- Address:
- Adalbertstraße 98, 10999 Berlin-Kreisfreie Stadt Berlin
- Price:
- from €18.02
The help page for the event calendar answers common questions.. Information about coperations and imprint can be found on our page about partners and terms and conditions.