Current language: English

Der Liebhaber

Date details

Book tickets for this date

Order online

Map

A visual map representation follows. Skip map

Show on map

End of map.

Public transportation

5 more dates

Part of:

Der Liebhaber

Der Liebhaber – Nahaufnahme eines Mundes mit roten Lippen, teilweise von einer transparenten Folie bedeckt.

Der Liebhaber – Nahaufnahme eines Mundes mit roten Lippen, teilweise von einer transparenten Folie bedeckt.

© Peter Kaaden

Marco Goecke's Der Liebhaber is based on Marguerite Duras’ 1984 novel L’Amant. In partly autobiographical fragments, Duras recounts the encounter between a fifteen-year-old French girl and a significantly older Chinese lover in colonial Indochina, today’s Vietnam. While the novel, marked by poetic condensation and suggestive openness, provoked not only literary admiration at the time of its publication but also debates about sexuality, dependency, and colonial hierarchies, Goecke consciously focuses on the interpersonal dimensions of the story. Duras’ elliptical, fragmentary narrative, layered with memories, quiet observations, and subtle nuance, is translated by Goecke into a choreographic language that does not depict a linear plot but condenses longing, guilt, dependence, love, and desire into precisely articulated movement impulses, making the body a medium for memory, passion, and social constraints. Musically, compositions by Claude Debussy, Maurice Ravel, Frédéric Chopin, Unsuk Chin, and Gabriel Fauré merge into a soundscape as strongly shaped by memory and imagination as the literary source itself. Goecke, one of the most influential choreographers of the present day, has established his unmistakable signature with over sixty works worldwide. In Der Liebhaber, this is expressed through flickering movements, impulsive bodily reactions, and an expressive radicalism that renders every detail meaningful. His production is not a romantic story but a radical, poetic meditation on corporeality, dependency, and the struggle for self-determination. Suitable for ages 12 and above

Artists/Collaborators: Marco Goecke (Choreographie), Michaela Springer (Bühnenbild), Marvin Ott (Kostüme), Udo Haberland (Licht), Esther Dreesen-Schaback (Dramaturgie), Victorien Vanoosten (Musikalische Leitung), Elias Corrinth (Klavier), Staatskapelle Berlin

Runtime: Sat, 05/06/2027 to Fri, 02/07/2027

Alternative events

Mechanischer Weihnachtsberg aus dem Erzgebirge

© Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarcigalia; CC NC-BY-SA

The Giant Mechanical Nativity Scene from the Ore Mountains

One highlight in the permanent exhibition at the Museum of European Cultures is the mechanical 'Weihnachtsberg', a giant nativity scene set in a hillside town that originates from the Erzgebirge, near the border of Germany and the Czech Republic, in the... moreabout: The Giant Mechanical Nativity Scene from the Ore Mountains

Order online
Die „Krone von Kertsch“. Das Diadem einer vornehmen Dame wurde in einem völkerwanderungszeitlichen Grab in Kertsch – dem antiken Pantikapaion – auf der Krim entdeckt. Spätes 4. / 1. Hälfte 5. Jahrhundert n. Chr.

© Römisch-Germanisches Museum/Rheinisches Bildarchiv Köln

The Crown of Kerch

Gold jewellery from the migration period found near the Black Sea, silver brooches and magnificent belts from early medieval graves in France, Italy, Spain, and Germany: selections from the collection of Johannes von Diergardt will be on view again in... moreabout: The Crown of Kerch

Order online

Show more events in the category "Tanz"…

The help page for the event calendar answers common questions.. Information about coperations and imprint can be found on our page about partners and terms and conditions.

Zum Seitenanfang