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Justices

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Justices

Clément Papachristou

Zwei Personen in bunten, skulpturalen Kostümen auf einer Bühne mit blauen Wänden. Eine streckt die Hand aus, die andere schaut überrascht.

– Zwei Personen in bunten, skulpturalen Kostümen auf einer Bühne mit blauen Wänden. Eine streckt die Hand aus, die andere schaut überrascht.

© Marin Driguez

What is just – and what is right? What rights and obligations do people with disabilities have in legal proceedings? Freely adapted from Dante’s ”The Divine Comedy”, the visually stunning “Justices” combines humour, song, theatre and interactive performance – and invites the audience to question their own prejudices.

As a person with trisomy 21, Vincent refuses to be regarded as mentally incompetent and demands the right to be judged like any other citizen. The audience accompanies him on his journey of self-discovery and in his daily confrontations with the rules of an ableist society – whether it’s finding a flat, getting a credit card or having a child.

The trio on stage forges its own path, as does the audience, who are invited to have their say during the performance and to confront their own prejudices. An extraordinary, enriching experience.

The Théâtre National Wallonie-Bruxelles is a leading Belgian institution committed to inclusion, diversity and artistic innovation. Actor, director and writer Clément Papachristou has been associated with the theatre since 2022 and specialises in developing inclusive productions that bring together artists with and without disabilities.

In his artistic projects, he collaborates with his brother Guillaume, amongst others, and develops inclusive forms of collaboration between artists with different experiences and perspectives.

Artists/Collaborators: Clément Papachristou (Konzept, Regie & Text), Edouardo della Faille (Künstlerische Mitarbeit, Performance & Text), Guillaume Paps (Künstlerische Mitarbeit, Performance & Text), Noémie Zurletti (Künstlerische Mitarbeit, Performance & Text), Silvio Palomo (Bühnenbild & künstlerische Mitarbeit), Auriane Leclercq (Hospitanz Bühnenbild), Marie Alié (Dramaturgie & künstlerische Mitarbeit), Salim Djaferi (Dramaturgie & künstlerische Mitarbeit), Darius Dolatyari-Dolatdoust (Kostümbild), Manon Bery (Hospitanz Kostümbild), Ana Samoilovich (Lichtdesign), Joseph Schiano di Lombo (Komposition), Guillaume Paps (Malerei), Germain Haumont (Rechtliche Beratung), Marie Astier (Wissenschaftliche Mitarbeit), Valentine Houot (Menschliche und künstlerische Begleitung von Edouardo della Faille und Guillaume Paps), Schneiderwerkstätten des Théâtre National Wallonie-Bruxelles (Unterstützung), Pôle de mutualisation de services & ressources techniques (Szenografische Produktion), Florence Dubru (Technische Leitung), Pierre-Antoine Martin (Inspizienz), Ludovic John (Technische Leitung & Inspizienz (Touring)), Arthur Demaret (Lichttechnik), Jeison Pardo Rojas (Tontechnik), Christine Bartolomei (Dank an), Françoise Bloch (Dank an), Cie Fany Ducat (Dank an), Maxime Lacôme (Dank an), Jean-Baptiste Logerias (Dank an), Bastien Montes (Dank an), Miguel Peñaranda Olmeda (Dank an), Joëlle Shabanov (Dank an), Olivia Smets (Dank an), Virginie Vandezande (Dank an), Marcos Vivaldi (Dank an), Antoine Bréa (Dank an), das gesamte Team von Creahm-Liege (Dank an), das gesamte Team von Créahmbxl (Dank an), Marieke Jallet (Dank an)

One scene contains an imitation of sexual intercourse. The actors are wearing underwear and briefly mimic a sexual act. Death, dying and grief are mentioned. One scene deals with the death of a baby in a poetic and symbolic way.

Recommended for audiences aged 12 and up.

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