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In Fur

  • Im Fell

    Im Fell

  • Im Fell

    Im Fell

  • Im Fell

    Im Fell

What does fur sound like when it brushes over the ground? How heavy is fur? And can it fly? And what appears when a person disappears into fur? Fur grows, rustles, protects and plays. It is heavy and light, a shell and a hiding place, an animal and a landscape. A body appears within it and disappears again. Between furs, a wordless world of hiding, appearing and transforming is created – warm, dense and willful, until something suddenly comes to life. Information about the Relaxed Performance »In Fur« Seating options and audience capacity For our »relaxed performances«, we offer alternatives to conventional theater seating: there will be chairs, benches, seat cushions, and bean bags, allowing for a range of sitting and reclining positions during the performance. To support a more relaxed viewing experience and to make it easier to leave the space during the show, fewer tickets are sold for these performances than usual. Early entry For a »relaxed performance«, we extend the admission time to 10 minutes before the performance begins. This allows you to familiarize yourself with the space at your own pace and find your seats comfortably. Upon request and where possible, the stage and auditorium can also be explored before the official admission begins, helping to reduce any anticipation or stress related to entering the space. Lighting in the auditorium During »relaxed performances«, the auditorium lights remain on at a minimum of 30%. Entering and leaving the auditorium During a »relaxed performance«, you are free to leave the auditorium at any time and return when you are ready. You can take a break and relax in the theater foyer. Our front-of-house team will be happy to assist you. If you have any questions that remain unanswered, please feel free to contact us: Magdalena von Sicard, +49 30 4234314, .  Notes on accessibility: Information about the accessibility of the venue in structural terms can be found here.

Concept, Performance Ulrike Kley Devised by Ulrike Kley, Isabelle Schad Choreography Isabelle Schad Dramaturgical advice Tim Sandweg Costume/Textile Work Adelheid Wieser Lighting Design Doris Schopf Sound, Composition Ute Wassermann

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