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von suite42: K.L.I.M.A.T.E.X.T.
Date details
- Date Saturday, 20/June/2026 14:30 (1 more date)
- Venue TAK - Theater im Aufbau Haus - Berlin-Kreuzberg
- Address Prinzenstraße 85 F, 10969 Berlin-Kreuzberg
Public transportation
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Underground
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U Moritzplatz
- U8
-
U Prinzenstr.
- U1
- U3
-
U Kottbusser Tor
- U8
- U1
- U3
-
U Moritzplatz
-
Bus
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U Moritzplatz
- M29
- N8
-
Prinzenstr./Ritterstr.
- 140
-
Alexandrinenstr.
- M29
-
Oranienplatz
- M29
-
Segitzdamm
- 140
-
U Prinzenstr.
- 140
- N1
-
Waldeckpark
- M29
-
Heinrich-Heine-Str./Annenstr.
- 147
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U Kottbusser Tor [Reichenberger Str.]
- 140
-
Adalbertstr./Oranienstr.
- N8
- 140
- M29
-
Heinrich-Heine-Platz
- 147
-
U Kottbusser Tor
- N1
- 140
- N8
-
Waldemarstr./Adalbertstr.
- 140
-
U Moritzplatz
Part of:
by suite42: C.L.I.M.A.T.E.T.E.X.T.
Interactive radio play performance with headphones in public space
K.L.I.M.A.T.E.X.T. suite42
© Thomas Mueller
"ALWAYS MAY BE THE LAST TIME"
Now, suite42 is coming to the tak Theater Aufbau Kreuzberg to perform their interactive audio play promenade performance with headphones in public space – featuring Roland Bonjour ("Another German Tank Story") and Stefan Stern.
Once again, suite24 has translated and adapted texts from Chris Thorpe's stirring stage play "Everything Could Be the Last Time," and Tommy Neuwirth has set Thorpe's song lyrics to music. For the first time, a group of chosen individuals will meet in secret in the streets surrounding the tak Theater Aufbau Kreuzberg. The climate catastrophe has occurred, and they bid farewell to their former lives. They reflect on the possibilities that remain for their survival, but above all, they consider what they, what we all, have created and left behind in the world. Why this, and why in this particular way? Why was it impossible for us to live in harmony with nature and the climate? Who were they, and what or whom will they become now? Can solidarity be the answer?
The author, Chris Thorpe, is also a performer and hails from Manchester. In addition to numerous collaborations with Unlimited Theatre, the performance group Third Angel, and the Portuguese group Mala Voadora, he has created works for the Forest Fringe, the BBC, and the Belarus Free Theatre.
This project is specifically addressed to EVERYONE, because it concerns EVERYONE, it includes EVERYONE.
Now, suite42 is coming to the tak Theater Aufbau Kreuzberg to perform their interactive audio play promenade performance with headphones in public space – featuring Roland Bonjour ("Another German Tank Story") and Stefan Stern.
Once again, suite24 has translated and adapted texts from Chris Thorpe's stirring stage play "Everything Could Be the Last Time," and Tommy Neuwirth has set Thorpe's song lyrics to music. For the first time, a group of chosen individuals will meet in secret in the streets surrounding the tak Theater Aufbau Kreuzberg. The climate catastrophe has occurred, and they bid farewell to their former lives. They reflect on the possibilities that remain for their survival, but above all, they consider what they, what we all, have created and left behind in the world. Why this, and why in this particular way? Why was it impossible for us to live in harmony with nature and the climate? Who were they, and what or whom will they become now? Can solidarity be the answer?
The author, Chris Thorpe, is also a performer and hails from Manchester. In addition to numerous collaborations with Unlimited Theatre, the performance group Third Angel, and the Portuguese group Mala Voadora, he has created works for the Forest Fringe, the BBC, and the Belarus Free Theatre.
This project is specifically addressed to EVERYONE, because it concerns EVERYONE, it includes EVERYONE.
text: Chris Thorpe
translation: Lydia Ziemke
realization: Nils Lauterbach & Lydia Ziemke
play: Roland Bonjour & Stefan Stern
music: Tommy Neuwirth, Nils Lauterbach
Production: suite42
Funded by the Performing Arts Fund
translation: Lydia Ziemke
realization: Nils Lauterbach & Lydia Ziemke
play: Roland Bonjour & Stefan Stern
music: Tommy Neuwirth, Nils Lauterbach
Production: suite42
Funded by the Performing Arts Fund
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