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Lucia di Lammermoor

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Lucia di Lammermoor

  • Lucia di Lammermoor

    Lucia di Lammermoor

    © 2023, Bettina Stöß

  • Lucia di Lammermoor – Aigul Khismatullina als Lucia, Irene Roberts als Alisa

    Lucia di Lammermoor – Aigul Khismatullina als Lucia, Irene Roberts als Alisa

    © 2023, Bettina Stöß

  • Lucia di Lammermoor – Bettina Stöß

    Lucia di Lammermoor – Bettina Stöß

    © 2024, Bettina Stöß Bettina Stöß

  • Lucia di Lammermoor – Aigul Khismatullina als Lucia, Michael Bachtadze als Enrico

    Lucia di Lammermoor – Aigul Khismatullina als Lucia, Michael Bachtadze als Enrico

    © 2023, Bettina Stöß

  • Lucia di Lammermoor – Thomas Cilluffo als Arturo, Gerard Farreras als Raimondo, Adela Zaharia als Lucia, Karis Tucker als Alisa

    Lucia di Lammermoor – Thomas Cilluffo als Arturo, Gerard Farreras als Raimondo, Adela Zaharia als Lucia, Karis Tucker als Alisa

    © 2024, Bettina Stöß

  • Lucia di Lammermoor – Ioan Hotea als Edgardo, Michael Bachtadze als Enrico, Ya-Chung Huang als Arturo, Aigul Khismatullina als Lucia

    Lucia di Lammermoor – Ioan Hotea als Edgardo, Michael Bachtadze als Enrico, Ya-Chung Huang als Arturo, Aigul Khismatullina als Lucia

    © 2024, Bettina Stöß

  • Lucia di Lammermoor – Long Long als Edgardo, Adela Zaharia als Lucia

    Lucia di Lammermoor – Long Long als Edgardo, Adela Zaharia als Lucia

    © 2024, Bettina Stöß

  • Lucia di Lammermoor – Gerard Farreras als Raimondo

    Lucia di Lammermoor – Gerard Farreras als Raimondo

    © 2023, Bettina Stöß

  • Lucia di Lammermoor – Adela Zaharia als Lucia

    Lucia di Lammermoor – Adela Zaharia als Lucia

    © 2024, Bettina Stöß

Long before the cinematic popularity of Downton Abbey or the Jane Austen craze, the ruthless inner world of the British landed gentry became the setting for Italian opera. With his 1835 setting of Walter Scott's successful novel The Bride of Lammermoor, Gaetano Donizetti created a lyrical drama that remains the epitome of Italian Romanticism. Set in Scotland around 1700, the tragedy is also the most famous example of the transformation of the virtuosic bel canto style into a highly expressive stylisation of extreme emotional states and contains what is arguably the most famous scene of madness in Italian opera. Filippo Sanjust’s production, with its painted scenery and spotlights, evokes the atmosphere of an operatic evening from the work’s original era. Michele Spotti, Principal Guest Conductor of Deutsche Oper Berlin, conducts the company’s ensembles for the first time in his new role. As Lucia we encounter the virtuoso Nina Minasyan. As Edgardo, we welcome the young Mexican-American tenor Galeano Salas to the Deutsche Oper Berlin for the first time, after he has previously dazzled audiences at La Scala, in Munich, Dresden, and Verona, among other venues.

Artists/Collaborators: Michele Spotti (Musikalische Leitung), Filippo Sanjust (Regie, Bühnenbild und Kostüme), Marco Medved (Choreinstudierung), Mattia Olivieri (Lord Enrico Ashton), Nina Minasyan (Miss Lucia Ashton), Galeano Salas (Sir Edgardo di Ravenswood), Omar Mancini (Lord Arturo Bucklaw), Nicolai Elsberg (Raimondo Bidebent), Marlen Bieber (Alisa), Michael J. Scott (Normanno), Chor der Deutschen Oper Berlin (Chor), Orchester der Deutschen Oper Berlin (Orchester)

45 minutes before the performance in the Rang Foyer on the right

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