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Alles Mögliche

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Alles Mögliche

She She Pop

Rote Stoffbahn liegt im Vordergrund; vier Personen im Hintergrund auf schwarzer Buehne: zwei links, eine mittig, eine rechts, verteilt und teils abgewandt.

– Rote Stoffbahn liegt im Vordergrund; vier Personen im Hintergrund auf schwarzer Buehne: zwei links, eine mittig, eine rechts, verteilt und teils abgewandt.

© Dominique Brewing

“Alles Mögliche” is a playful happening that combines chaos and conceptual art: everyone does what they want – as long as they announce it in advance. The result is a lively, unpredictable theatre experience that questions the rules, renegotiates community and celebrates the power of the collective imagination.The stage is empty and there is only one rule: everything that is about to happen here must be publicly announced in advance. “Alles Mögliche” is an improvised performance with extremely limited resources. The promise of a caesura and a new beginning marks the start of the evening. In this, the performance directly ties into Bullshit, the previous show by She She Pop on the stage of HAU1, in which the theatre space was symbolically sold off. What now follows is “poor theatre” in the sense of a disarmingly unprotected encounter. It begins with a microphone and an open list on which the performers announce their ideas and wishes, rules and suggestions as an unsorted script for the evening. Spontaneously feasible suggestions are interspersed with spectacular visions, the realisation of which seems utopian in the empty space. And while the announcements pile up at the microphone, the performers are already starting to implement them. Some things remain rough sketches, others are fully fleshed out, but nothing should be lost. What is this going to be? A funeral service? A swap meet? A séance? A court hearing? “Alles Mögliche” is a training in shared imagination, individual initiative and collaboration. And a celebration of unique presence in theatre.

approx. 75 mins.

Artists/Collaborators: She She Pop (Konzept und Performance), Sebastian Bark (Von und mit), Johanna Freiburg (Von und mit), Lisa Lucassen (Von und mit), Mieke Matzke (Von und mit), Ilia Papatheodorou (Von und mit), Berit Stumpf (Von und mit), Tina Ebert (Künstlerische Mitarbeit), Philine Rinnert (Beratung Bühne), Peggy Mädler (Dramaturgische Beratung), ehrliche arbeit – freies Kulturbüro (PR und Kommunikation), Tina Ebert (Kommunikation), Tina Ebert (Produktion), Aminata Oelßner (Produktion), Elke Weber (Produktion), Aminata Oelßner (Company Management), Elke Weber (Company Management), Panthea / Anna Johannsen (Englische Live-Übersetzung), Claes Schwennen (Beratung Licht)

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– Collage aus Körperteilen: Unscharfer Kopf, Oberkörper mit grüner und gemusterter Kleidung, Beine in Shorts, pinke Socken, Sportschuhe. Schwarzweiß-Hintergrund.

© Fotos: Mayra Wallraff, Editing: Philine RinnertFotos: Mayra Wallraff, Editing: Philine Rinnert Previous Next Pause

The Game We Knew but Didn’t Play

Can we recognise the moment when we should not cross, consent, or look away? Can we resist, survive, disrupt, or subvert the game of censorship? And when do these strategies begin to sustain the very system they were meant to endure? »The Game We Knew... moreabout: The Game We Knew but Didn’t Play

Next date:
The Game we knew, but didn’t Play - Premiere
Date:
Thursday, 22/October/2026 20:00 (3 more dates)
Venue:
Ballhaus Ost
Address:
Pappelallee 15 A, 10437 Berlin-Prenzlauer Berg
Price:
from €11.00
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