On the third day of the festival, electronic sounds merge with intense physical and vocal presence. In a live performance for synthesiser and voice, Marie Delprat transforms intimate emotions into powerful moments of resistance, inspired by stylistic elements from Barock music.
Following this, Heroines of Sound honours the innovative work of Berlin composer Iris ter Schiphorst with full-length portrait concert. ensemble mosaik and vocal performer Anna Clementi interpret a variety of her works, dedicated to various socio-political topics. A feminist programme consistently unfolds, in which various temporal and media layers intertwine.
The day closes with a new multimedia film opera “Em-Body-Ment” by composer Leah Muir. Emerging from years of collaboration with soprano Irene Kurka, the musical drama illuminates tenderness and bodily transcendence, weaving traces of past and present cultures into an extraordinary total experience.
→ To the entire programme of Heroines of Sound 2026
Artists/Collaborators: Marie Delprat, ensemble mosaik, Catherine Larson-Maguire, Anna Clementi, Irene Kurka , Leah Muir (Mit)
The Heroines of Sound Festival 2026 is funded by the Capital Cultural Fund, with the kind support of the Ernst von Siemens Music Foundation and the Adam Mickiewicz Institute. In cooperation with Radialsystem and the Frequenz Festival Kiel.
Media partners: Groove, The Wire, Glissando, Neue Zeitschrift für Musik, Kaput Mag.
Media partners Radialsystem: The Berliner, tip Berlin, taz – die tageszeitung.
14 h WorkshopAnouk Kellner: “Airchoir“
18 – 24 h Sound and Film BarHeroines of Sound Selection 2026
18 h Panel
From 18 h Sound ArtAnouk Kellner: “Airchoir No. 2: Dirges for (26) Coded Organ Voices“ (2025)
20 h ConcertMarie Delprat: “What Remains After Desire“ (2026, UA)für Stimme und Elektronik
21 h Concertensemble mosaikIris ter Schiphorst: “Sometimes II“ (2016/2017)for amplified ensemble, sampler, 2–4 thunder sheets with transducers and live electronicsIris ter Schiphorst: “Changeant“ (2004)for voice and tape ad libitum; text: Karin SpielhoferIris ter Schiphorst: “Transformationen III“ (2022/2026, Neufassung)loosely based on the poem “Diepe tijd” (Deep Time) by Dominique de GroenIris ter Schiphorst: “Anna’s Song“ (1993/2026)from the opera ‘Anna’s Wake’ (1992) Arrangement for two female voices, violin, viola and cello; text: Christine DaumIris ter Schiphorst: “meine-keine lieder/die aufgabe von musik“ (2014)for amplified female voice/performance, bass clarinet and piano/sample keyboard (1 performer)Iris ter Schiphorst: “Breaking“ (2012)for amplified ensemble, sampler and live electronics
22.30 h ConcertLeah Muir: “Em-Body-Ment. A Multimedia Drama” (2025, DE)