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EXXY

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EXXY

Dan Daw Creative Projects

Springende person mit Tattoos, Seidenmantel; steht auf einem Bett mit weißen Laken.

– Springende person mit Tattoos, Seidenmantel; steht auf einem Bett mit weißen Laken.

© Hugo Glendinning

How can you value yourself when society doesn’t? “EXXY” (Australian slang for, ‘that’s expensive, mate’) is a bold, vulnerable and tender exploration of imposter syndrome and fragile self-worth.Dan Daw, who provided a highlight at NO LIMITS in 2022 with “The Dan Daw Show”, takes the audience on a journey to the Australian outback. To the place where his life began – shaped by working-class roots and by having to get by on very little. He looks back on his journey as a Queer crippled artist and on what it means to hold one’s own in a society that repeatedly labels you as “different”. Together with three performers, Dan finds serenity in the possibility of finally being one of many – after having always stood out his whole life.Visually provocative, emotionally fearless and threaded with humour, “EXXY” refuses to offer easy answers. Instead, the work explores the contradictions Dan Daw embodies: bold yet insecure, triumphant yet uncertain, longing for community yet determined to be one of a kind.

Dan Daw Creative Projects is a disabled-led company who are leading the way in creating accessible international touring work that blurs the lines between theatre, dance and activism. Through long-term partnerships and residency programmes, it advocates for systemic change within institutions and the industry to benefit d/Deaf and disabled artists and their audiences.

Press reviews:“Truly remarkable [and] life-affirming.”The Herald“Hilarious, ferocious, devastating – and an incredible night out.”Sydney Morning Herald

Artists/Collaborators: Dan Daw (Performance & künstlerische Zusammenarbeit), Tiiu Mortley (Performance & künstlerische Zusammenarbeit), Joseph Brown (Performance & künstlerische Zusammenarbeit), Sofia Valdiri (Performance & künstlerische Zusammenarbeit), Dan Daw (Künstlerische Leitung), Sarah Blanc (Co-Regie), Brian Lobel (Dramaturgie & Co-Autor), Kat Heath (Bühnen- & Kostümbild), Nao Nagai (Lichtdesign), Guy Connelly (Komposition), Lewis Gibson (Sounddesign), Seb Falcone (Associate Sounddesign & Tontechnik), Sarah Readman (Videodesign & Creative-Caption-Design), Izzie Byers (Kostümleitung), Liz Counsell (Geschäftsführung & Produktion), Froud (Produktionsleitung), Emily Winsor (Technische Inspizienz), Georgie Luppi (Assistenz für Barrierefreiheit & Produktion), Lottie Vallis (Assistenz für Barrierefreiheit), Erin Clark (Produktions-Fellow)

This performance features loud noises, fog, periods of complete darkness, intense flashing lights, and flashing and moving video images. Before these elements are used, a loudspeaker icon (indicating loud noises) or a light bulb (indicating bright and/or flashing lights) will appear on screen. The performance contains swear words, as well as scenes of physical exhaustion, excessive spitting or drooling shown at close range, and moments that may be interpreted as the performers being in pain.There will be sudden and rapid movements of objects towards the audience.Early boarding and a quiet space are available. If you have any questions, please speak to our evening staff.Recommended for audiences aged 14 and up.

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