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Finnish Radio Symphony Orchestra / Helsinki Chamber Choir

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Finnish Radio Symphony Orchestra / Helsinki Chamber Choir

Nicholas Collon, conductor: György Ligeti “Le Grand Macabre”

Nicholas Collon, Chefdirigent des Finnish Radio Symphony Orchestra – Ein Mann mit locken Haaren und einem Taktstock in der Hand dirigiert so überschwänglich, dass seine Haare herumwirbeln.

Nicholas Collon, Chefdirigent des Finnish Radio Symphony Orchestra – Ein Mann mit locken Haaren und einem Taktstock in der Hand dirigiert so überschwänglich, dass seine Haare herumwirbeln.

The Musikfest Berlin opens with Le Grand Macabre by György Ligeti and at the same time celebrates the 75th anniversary of the Berliner Festspiele. Ligeti’s only opera is a profoundly-black parable of war and the end of the world, but ultimately humour gains the upper hand and indirectly also helps in overcoming the fear of death. It is therefore no surprise that this satire is one of the most frequently performed works of contemporary music theatre. Nicholas Collon leads the way through Ligeti’s grotesque doomsday scenario as the chief conductor of the Finnish Radio Symphony Orchestra, assisted by the Helsinki Chamber Choir and an international ensemble of soloists. Thanks to the Helsinki Festival, Ligeti’s anti-opera will be heard for the first time in Finland just a few days previously.

Le Grand Macabre, based on a play by the surrealist dramatist Michel de Ghelderode, combines elements from absurdist theatre, the medieval dance of death and an untrammelled funfair extravaganza. In an interview from 1956, Ghelderode commented: “I have stood the figure of death on its head in Grand Macabre. I have transformed it into a comedic model: that was my revenge.” Ligeti, who personally witnessed the horrors of the Second World War and came very close to death on a number of occasions, places his opera in the fictitious Breughelland, a totalitarian-ruled, corrupt and utterly run-down republic possessing features originating from the images of the Flemish Renaissance painter Pieter Bruegel. Alongside Mescalina, wife of the court astrologer Astradamor, with her collection of giant spiders, and Gepopo, the head of the secret police, this is where the Grand Macabre Nekrotzar, a demagogue and highly dubious character, performs his evil deeds. When the deadline of his prophesised apocalypse arrives, all inhabitants survive – with the exception of the Grand Macabre himself who had always maintained that he was the reincarnation of Death.

Since the 1960s, music by György Ligeti has repeatedly been performed at the Berliner Festwochen, and later at the Musikfest Berlin: “My homeland is actually Berlin, as strange as that may sound. […] The city has become highly interesting through its proximity between West and East”, commented the composer in 2003. Now Le Grand Macabre will open the Musikfest Berlin as a simultaneous celebration of the 75th anniversary of the Berliner Festspiele. Since its foundation as the Berliner Festwochen in the Western part of the city in 1951, the festival has always functioned as a connecting bridge between political systems, shaped the cultural dimensions of reunification and since 2001 has also had its own venues: the Haus der Berliner Festspiele and the Gropius Bau.

György Ligeti (1923–2006)

Le Grand Macabre (1978, rev. 1996) 

Opera in two acts

Lyrics by Michael Meschke und György Ligeti en La Balade du Grand Macabre by Michel de Ghelderode

Concert performance

Artists/Collaborators: Sarah Aristidou, Heidi Melton, Andrew Watts, Wolfgang Ablinger-Sperrhacke, Leigh Melrose, Kathrin Lorenzen, Luke Terence Scott, Toumas Katajala, Jussi Merikanto, Tomi Punkeri, Sakari Topi, Nils Schweckendieck, Nicholas Collon, Frederic Wake-Walker, Jingjing Xu, Karl Huml

A joint production by Finnish Broadcasting Company, Finnish Radio Symphony Orchestra, Helsinki Festival and Berliner Festspiele / Musikfest Berlin

A Berliner Festspiele / Musikfest Berlin event

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