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OKE KARA – das Puppenkaraoke

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OKE KARA – the Puppet Karaoke

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Lea Röwer

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Fabian Wittich

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Fabian Wittich

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Fabian Wittich

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Lea Röwer

  • OKE KARA – das Puppenkaraoke

    OKE KARA – das Puppenkaraoke

    © Promo

Students and alumni of the contemporary puppetry program present a very special singing contest: Karaoke with puppets! A variety of different musical disciplines require concentrated vocal strength, a talent for improvisation and team spirit. Who will sing the next song? Who will pull the special effects card and make the performance perfect? Or is it time now for the audience joker? „OKE KARA“ is not your normal impro show; instead, it takes place at the crossroads of puppet performance, philosophy and metaphysics – a student late night spectacle with emotions, humor and a whole lot of confetti. Fourth Edition: FOREIGN BODIES In the fourth edition, we deal with hybrid forms, ephemeral bodies and unexpected constellations. What happens when you bring unrelated things together? When does a body become a foreign body and how much can you feel at home inside of it? Can a lonely leg also sing an emotional solo? Notes on accessibility: Information about the accessibility of the venue in structural terms can be found here. The audience is performed to directly during the performance, but each member can decide for themselves whether to interact or not.

Performance Paula Engel, Mika Sander, Xeno Scholpp, Carolina Walker, Christine Zeides Direction, Text Christine Zeides Puppets Treasures from the puppet collection of the Ernst Busch University of Theatre Arts The concept for “OKE KARA” was developed as part of the first “PULS & PEILUNG” festival with support from the Ernst Busch University of Theatre Arts, Department of Contemporary Puppetry, and the Schaubude Berlin.

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