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Après moi, le déluge

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Après moi, le déluge

Ballet national de Marseille / (LA)HORDE

© @ Gaël.le Astier-Perret

“Après moi, le déluge” by (LA)HORDE portrays a world in crisis and uses dance to explore social fears and inner conflicts. Twelve dancers from the Ballet national de Marseille embody the tensions of the present and present dance as a form of resistance and change.In a world shaken by crises, the new work by (LA)HORDE is an attempt to create new imaginaries in order to collectively dismantle the inner and social monsters of today. Twelve dancers from the Ballet national de Marseille, which the collective has directed since 2019, embody the contradictory forces of the present moment. Blending hyperrealism, poetry, and the grotesque, “Après moi, le déluge” extends (LA)HORDE’s exploration of dance as a means of transgressing imposed narratives. The result is a choreography driven by the energy of revolt, like a final explosion to shake the foundations of the old world. 

TicketsFull 44 / 38 / 30 / 22 € Reduced 30 / 25 / 20 / 15 € Additional service fees for booking online with Reservix apply.

Artist's Note by (LA)HORDE“Après moi, le déluge” (“After me, the flood”) emerges at a tipping point, in a fragile moment when the world seems to lose its footing. Beneath the weight of ongoing crises and collective exhaustion, bodies collapse and soften, beginning to come apart even before the performance starts.The dance starts moving against the current of time, reaching back toward what came before the catastrophe, before erosion and fatigue set in. But turning back requires a decisive act: the ground splits open, the stage is torn apart, a chasm appears. From this breach rise hybrid, monstrous figures shaped by our shared narratives, our silences, and our renunciations.In this underground space, the dancers reenact the structures that shape our world: power, legacy, domination, but also the possibility of transformation. The scenes unfold as micro-rituals in which care may heal yet also constrain, where tenderness slips into control and attention carries quiet forms of surveillance.Following Room with a View and Age of Content, this creation extends an ongoing exploration of dance as a way to transgress imposed narratives. “Après moi, le déluge” is a collective introspection, a descent beneath everyday gestures and systems of power, questioning how we look, how we care, how we transmit, and how we might change.

1 h 15 min

Artists/Collaborators: LA(HORDE) (Konzept & Regie), – Marine Brutti (Konzept & Regie), Jonathan Debrouwer (Konzept & Regie), Arthur Harel (Konzept & Regie), Nina Auerbach (Von & mit), Isaïa Badaoui (Von & mit), Alida Bergakker (Von & mit), Arno Brys (Von & mit), Isla Clarke (Von & mit), Pierpaolo Cosentino (Von & mit), Titouan Crozier (Von & mit), João De Castro Franca (Von & mit), Nathan Gombert (Von & mit), Jonatan Myhre Jørgensen (Von & mit), Yoshiko Kinoshita (Von & mit), Dana Pajarillaga (Von & mit), Kevin Pajarillaga (Von & mit), Aya Sato (Von & mit), Gabriella Sibeko (Von & mit), Eden Solomon (Von & mit), Elena Valls Garcia (Von & mit), Luca Völkel (Von & mit), Layne Paradis Willis (Von & mit), Lung Ssu Yen (Wechselnde Besetzung) (Von & mit), (LA)HORDE in Zusammenarbeit mit den Tänzer*innen und den Probenleiter*innen des Ballet national de Marseille (Choreografie), Nadia El Hakim (Künstlerische Assistenz), Valentina Pace (Künstlerische Mitarbeit Choreografie), Jacquelyn Elder (Künstlerische Mitarbeit Choreografie), Angel Martinez Hernandez (Künstlerische Mitarbeit Choreografie), Julien Monty (Künstlerische Mitarbeit Choreografie), Alain Damasio (Externe Beratung), (LA)HORDE (Bühne), Julien Peissel (Bühne), Hervé Cherblanc (Bühnenbautechnik), Rémi d’Apolito (Technische Beratung), Julien Parra (Technische Beratung), Sébastien Mathé (Technische Beratung), Pierre Aviat (Komposition), Eric Wurtz (Licht), Gaspard Juan (Mitarbeit Licht), Salomé Poloudenny & (LA)HORDE (Kostüm), Salomé Poloudenny mit Assistenz von Sandra Pomponio und Agathe Palthey (Kostümproduktion), Julie De Bohan – ICIE (Intimitätskoordination), Werkstätten der Comédie de Genève (Bühnenbau), Sud Side les ateliers (Bühnenbau), Osman El Hakim (Dekoration), Sandrine Boutin (Dekoration), Myriam Valet (Dekoration), Cristian Zurita (Dekoration), Nin Khelifa (Beratung Akrobatik), CLSFX Atelier 69 (SFX), Rémi d’Apolito (Technische Leitung), Marius Perraud (Design Kameragehäuse), Felix Keslassy (Hintergrundbild), Yannick Bouchex (Bühnenbauer der Comédie de Genève), Hugo Bertrand (Bühnenbauer der Comédie de Genève), Balthazar Boisseau (Bühnenbauer der Comédie de Genève), Janju Bozon (Bühnenbauer der Comédie de Genève), Wondimu Bussy. Mit Dank an Yves Frohle und Pierre Olympieff. (Bühnenbauer der Comédie de Genève), Mélodie Souquet (Raumklang), Melody Louledjian (Stimmtraining)

Production Ballet national de MarseilleCo-production La Comédie de Genève, Théâtre de la Ville-Paris, Chaillot Théâtre national de la Danse, Charleroi danse – Centre chorégraphique de la Fédération Wallonie-Bruxelles, Sadler’s Wells, Agora Cité internationale de la danse – Centre chorégraphique national Montpellier Occitanie, Festspielhaus St. Pölten, Maison de la Danse de Lyon, La Comédie de Clermont-Ferrand – scène nationale, Théâtre de Lorient – Centre dramatique national, TAP – Scène nationale de Grand Poitiers, Internationaal Theater Amsterdam, Théâtre des Salins – Scène nationale de Martigues, Internationales Sommerfestival Kampnagel, Teatro Municipal do Porto, Madrid en Danza, Mercat de les FlorsSupported by Dance Reflections by Van Cleef & ArpelsIn partnership with ASICSResidency Théâtre des Salins – Scène nationale de MartiguesWith the support of Lieux Publics – CNAREP (National Centre for Street Arts and Public Space) & Pôle européen de productionThanks to the permanent and intermittent teams of the Ballet national de MarseilleThe CCN Ballet national de Marseille – directed by (LA)HORDE – receives support from the Ministry of Culture / Directorate-General for Artistic Creation, the DRAC Paca, and the City of Marseille.In cooperation with Berliner Festspiele

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