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Nach der Premiere: Wie Tanzstücke weiterleben und langfristig auf Tour gehen

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Nach der Premiere: Wie Tanzstücke weiterleben und langfristig auf Tour gehen

Nach_der_Premiere_1 – Person in weißem Pullover sitzt an Tisch mit großem leeren Papierbogen, Stift in der Hand, Glas Wasser davor, Person im Hintergrund.

Nach_der_Premiere_1 – Person in weißem Pullover sitzt an Tisch mit großem leeren Papierbogen, Stift in der Hand, Glas Wasser davor, Person im Hintergrund.

© Vojtech Brtnicky

How can independent artists with limited resources build sustainable, international networks? What happens to a dance piece after its premiere? How can existing pieces continue to be performed, new presenters reached, and long-term tours developed both domestically and abroad?This practice-oriented workshop focuses on concrete strategies and practical steps for distributing existing works. Drawing on many years of experience in international communication, distribution, and tour development, the workshop will present concrete approaches: How do you find suitable presenters and partners? How do you present your work in a targeted way? How do you build contacts and develop them into long-term relationships and tours?This is not about quick fixes or a magic formula—sustainable tour development takes time, consistency, and patience. The workshop provides practical tools, insights, and tips, and shows how artists can approach this process strategically and realistically with limited resources.
You can use the link below to send your specific questions and case studies to Katherina in advance:

3 Stunden

Katherina Vasiliadis is an international cultural manager with over 15 years of experience in the performing arts, specializing in contemporary dance and performance. From 2008 to 2017, she served as Director of International Relations and Production Manager at MASH (IL) and was involved, among other things, in establishing the International Dance Week.Since 2017, she has been working as a freelance consultant for international project development, distribution, and strategic communication. She supports artists, dance companies, and cultural institutions in building international networks, developing collaborations, and ensuring the long-term distribution of their work. Among the artists and organizations she has supported are Wonderground Dance Company (ES), House of IVONA (IT), Frantics Dance Company (DE), La Rinascita (DE), Fresco Dance Company (IL), DOCK ART (DE), and others. In addition, she works as a curator, dramaturg, moderator, and lecturer.

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