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De Là à Là (Von hier nach da)
Date details
- Date Friday, 18/September/2026 20:30
- Venue Uferstudios - Uferstudio 14
- Address Uferstraße 23, 13357 Berlin-Wedding
Public transportation
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Underground
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U Pankstr.
- U8
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U Nauener Platz
- U9
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U Osloer Str.
- U8
- U9
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U Pankstr.
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Bus
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Uferstr.
- N8
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Brunnenplatz
- M27
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Exerzierstr.
- N9
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U Pankstr.
- N8
- M27
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U Osloer Str.
- N8
- 150
- 255
- N9
- N52
- M13
- 125
- 128
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Wiesenstr.
- M27
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Drontheimer Str.
- M13
- 150
- 255
- N52
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U Nauener Platz
- 247
- 327
- N9
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Schererstr.
- 247
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U Osloer Str./Tromsöer Str.
- 125
- 128
- N8
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Humboldtsteg
- 247
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Iranische Str.
- 327
- N9
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Berlin, Osloer Str./Prinzenallee
- M27
- M13
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Uferstr.
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Tram
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Drontheimer Str.
- 50
- M13
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U Osloer Str.
- 50
- M13
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Berlin, Osloer Str./Prinzenallee
- 50
- M13
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Drontheimer Str.
De Là à Là (Von hier nach da)
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
De Là à Là
© Sanga Ouattara
What happens when a body crosses a border?
In De Là à Là, two performers move in opposite directions: Martina Gunkel, a white artists from Germany, travels from Europe to Africa; Sanga Ouattara, a Black artists from Ivory Coast, travels from Africa to Europe. Their trajectories mirror one another—yet the conditions of migration they encounter are profoundly unequal.
They carry more than passports and personal belongings. Their bodies hold memory: traces of history, inherited rhythms, and lived experience. They are living archives—shaped by what precedes them and by the spaces they enter. Here, territory is not only geographical; it is inscribed in the body itself.
The performance exposes the asymmetry of mobility and migration. While movement from North to South is often framed as openness or expertise, the passage from South to North is frequently marked by restriction, suspicion, and systemic barriers—echoing long-standing colonial continuities.
Through choreography, presence, and confrontation, the artists explore how identity is shaped under these conditions. What is carried within us, and what is imposed from the outside? How does a place reshape a person?
De Là à Là does not resolve these tensions; instead, it holds them in shared presence. It asks how bodies positioned unequally within systems of migration can still meet on a human and sensory level—and what forms of relation may emerge across such divisions.
45 Minuten
In De Là à Là, two performers move in opposite directions: Martina Gunkel, a white artists from Germany, travels from Europe to Africa; Sanga Ouattara, a Black artists from Ivory Coast, travels from Africa to Europe. Their trajectories mirror one another—yet the conditions of migration they encounter are profoundly unequal.
They carry more than passports and personal belongings. Their bodies hold memory: traces of history, inherited rhythms, and lived experience. They are living archives—shaped by what precedes them and by the spaces they enter. Here, territory is not only geographical; it is inscribed in the body itself.
The performance exposes the asymmetry of mobility and migration. While movement from North to South is often framed as openness or expertise, the passage from South to North is frequently marked by restriction, suspicion, and systemic barriers—echoing long-standing colonial continuities.
Through choreography, presence, and confrontation, the artists explore how identity is shaped under these conditions. What is carried within us, and what is imposed from the outside? How does a place reshape a person?
De Là à Là does not resolve these tensions; instead, it holds them in shared presence. It asks how bodies positioned unequally within systems of migration can still meet on a human and sensory level—and what forms of relation may emerge across such divisions.
45 Minuten
An event as part of the KUYUM Tanzplattform 2026, funded by the Senate Department for Culture and Social Cohesion. Concept, Choreography, Performance: Martina Gunkel, Sanga OuattaraMusic: Charles Ouitin Lighting Design: Underdome Music
Martina Gunkel lives in Stuttgart and works as a freelance dancer, performer, educator, and choreographer in Germany and the Netherlands. She holds a Bachelor of Performing Arts from the Fontys University of Applied Sciences (NL). With the interactive and interdisciplinary performance It is there. Around the corner (dance, theatre, contemporary circus; 2018), she demonstrates her artistic interest in exchange with other art forms as well as with audiences.Since 2021, she has mainly worked within Stuttgart’s independent scene, including projects by Instant PIG, Blomst!, with Nestor Gahé, and the collective multipluralwesen. She is part of the artistic direction of the platform SAAL FREI for interdisciplinary improvisation and is engaged in production, cultural mediation, and dance education. She also completed training as a Gyrokinesis teacher and teaches body training at the Academy of Performing Arts Baden-Württemberg in Ludwigsburg in the acting department.In 2025, she appeared with L-MOVEMENT by Nestor Gahé for the first time at the KUYUM Tanzplattform. In 2026, she returns with De Là à Là, which will celebrate its Berlin premiere as part of the festival. Sanga Ouattara is a dancer and choreographer from Côte d’Ivoire. He completed both a Bachelor’s degree and a professional Master’s degree in Dance and Choreography at INSAAC.A decisive turning point in his career came in 2010 through his collaboration with Georges Momboye. In 2012, he co-founded the company Yé-Fihmoa, with which he developed three productions. In pursuit of continuous artistic development, he collaborated with renowned choreographers such as Kettly Noël, Luis Ayet, Bernardo Montet, Nelisiwe Xaba, and Serge Aimé Coulibaly.In 2019, he founded his own company, Akili-Don, and created the work Exponentielle (winner of the Premio Roma Danza, Rome 2022). He has also collaborated with various choreographers, including Saïd El Haddaji (Sorakhe), Taoufiq Izeddiou (Hmadcha), Nestor Gahé (Équi-Libre), Kettly Noël (Ti-chelbé), and Nayoung Kim (Produit Aesop).Sanga Ouattara already appeared at the KUYUM Tanzplattform in 2024 with his solo performance Exponentielle and as a dancer in Équi-Libre by Nestor Gahé. In 2026, he returns with De Là à Là, marking its Berlin premiere.
Martina Gunkel lives in Stuttgart and works as a freelance dancer, performer, educator, and choreographer in Germany and the Netherlands. She holds a Bachelor of Performing Arts from the Fontys University of Applied Sciences (NL). With the interactive and interdisciplinary performance It is there. Around the corner (dance, theatre, contemporary circus; 2018), she demonstrates her artistic interest in exchange with other art forms as well as with audiences.Since 2021, she has mainly worked within Stuttgart’s independent scene, including projects by Instant PIG, Blomst!, with Nestor Gahé, and the collective multipluralwesen. She is part of the artistic direction of the platform SAAL FREI for interdisciplinary improvisation and is engaged in production, cultural mediation, and dance education. She also completed training as a Gyrokinesis teacher and teaches body training at the Academy of Performing Arts Baden-Württemberg in Ludwigsburg in the acting department.In 2025, she appeared with L-MOVEMENT by Nestor Gahé for the first time at the KUYUM Tanzplattform. In 2026, she returns with De Là à Là, which will celebrate its Berlin premiere as part of the festival. Sanga Ouattara is a dancer and choreographer from Côte d’Ivoire. He completed both a Bachelor’s degree and a professional Master’s degree in Dance and Choreography at INSAAC.A decisive turning point in his career came in 2010 through his collaboration with Georges Momboye. In 2012, he co-founded the company Yé-Fihmoa, with which he developed three productions. In pursuit of continuous artistic development, he collaborated with renowned choreographers such as Kettly Noël, Luis Ayet, Bernardo Montet, Nelisiwe Xaba, and Serge Aimé Coulibaly.In 2019, he founded his own company, Akili-Don, and created the work Exponentielle (winner of the Premio Roma Danza, Rome 2022). He has also collaborated with various choreographers, including Saïd El Haddaji (Sorakhe), Taoufiq Izeddiou (Hmadcha), Nestor Gahé (Équi-Libre), Kettly Noël (Ti-chelbé), and Nayoung Kim (Produit Aesop).Sanga Ouattara already appeared at the KUYUM Tanzplattform in 2024 with his solo performance Exponentielle and as a dancer in Équi-Libre by Nestor Gahé. In 2026, he returns with De Là à Là, marking its Berlin premiere.
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