SOHLE EINS-ACHTZIG (LEVEL ONE EIGHTY)

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  SOHLE EINS-ACHTZIG – Zwei Personen am geöffneten Klavier. Eine steht und manipuliert die Saiten, die andere sitzt an einer Papierrollenmaschine. Schwache Beleuchtung.

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  SOHLE EINS-ACHTZIG – Zwei Personen, eine spielt Klavier, die andere schlägt zwei Löffel im Inneren auf die Saiten. Kunstvolle violette Beleuchtung im Klavier.

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  SOHLE EINS-ACHTZIG – Grob geschnitzter Holzkopf an Seilen vor unscharfem lila Hintergrund.

On a March 26, the earth opens up and, with Heiko, not only does someone believed dead reappear, but also the memory of a distant yesterday and its ghosts who do not want to leave the present alone. When the mining waste buried Heiko, the world still seemed to be another and the coal was black gold. Today, the undead is standing there, in a new age and beautiful world between seas, forests and the grass that is growing over everything. Using the tools of contemporary music and puppet theater, a historical automatic player piano and mechanical theater, the puppet theater performer Moritz Schönbrodt and the composer Johannes Kürschner create an intense theatrical experience about the failure to remember the past. Information about the accessibility of the venue in structural terms can be found here. Standing room only. The Small Stage is accessible only via a single step.

Concept, Text, Set Design, Puppets, Performance Moritz Schönbrodt Concept, Composition, Set Design, Performance Johannes Kürschner Outside Eye Linda Fülle Voices Andreas Larraß, Laura Talenti Mentorship Martin Bieri, Holger Kuhla, Dimitros Stamou With Thanks To Lars Förster (Westbahnhof Leipzig), Orgelbau Fuchs, Anna Hopstock, Burghard John, Jochen John, Martin Kürschner, Ingo Mewes, Wilhelm Rendgen, Constanze Schönbrodt

Next date:

• Date Monday, 02/November/2026 19:00 ( 3 more dates )
• Venue Schaubude Berlin
• Address Greifswalder Straße 81-84, 10405 Berlin-Prenzlauer Berg