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Weekend Tips: What to Do This Weekend in Berlin
August 28 to 30, 2026: Events, festivals, exhibitions and more things to do for your perfect weekend in Berlin. more
Ensemble Resonanz
Date details
- Date Sunday, 13/September/2026 17:00
- Venue Philharmonie Berlin – Kammermusiksaal
- Address Herbert-von-Karajan-Straße 1, 10785 Berlin-Tiergarten
Public transportation
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Train (S-Bahn)
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S+U Potsdamer Platz Bhf
- S1
- S2
- S25
- S26
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S+U Potsdamer Platz Bhf
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Underground
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Bus
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Philharmonie
- 200
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Philharmonie Süd
- M41
- 300
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Kulturforum
- M48
- M85
- N2
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Varian-Fry-Str./Potsdamer Platz
- 200
- M41
- M48
- M85
- N2
- 300
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Tiergartenstr.
- 200
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Potsdamer Brücke
- M29
- M48
- M85
- N1
- N2
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S Potsdamer Platz Bhf/Voßstr.
- M41
- M48
- M85
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S+U Potsdamer Platz Bhf
- M41
- 200
- M48
- M85
- N2
- 300
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Gedenkstätte Dt. Widerstand
- M29
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Lützowstr./Potsdamer Str.
- M48
- M85
- N1
- N2
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Hiroshimasteg
- M29
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Philharmonie
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Train
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S+U Potsdamer Platz Bhf
- RE3
- RE5
- RE4
- FEX
- RB10
- RE8
- RE20
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S+U Potsdamer Platz Bhf
Ensemble Resonanz
Enno Poppe, conductor; Britten / Djordjević / Rameau / Poppe (WP)
Enno Poppe – Person mit Brille in beigem Anzug lehnt lässig an grüner Wand, schaut leicht zur Seite.
© Ricordi, Foto: Harald Hoffmann
The Ensemble Resonanz from Hamburg presents an eccentric programme full of creative surprises and contradictions in Berlin. The musical compass becomes disoriented by a dizzying alternation of places, times, styles and ideas. Milica Djordjević unleashes the forces of nature and evokes the energy of noise, Benjamin Britten soothes the spirits of the modern age and a leap back into the French Baroque reveals the composer Jean-Philippe Rameau as a visionary. The new work by Enno Poppe creates an enigmatic connection back into a time when the moods of our tonal system were still vividly coloured and nothing was standardised.
Four musical worlds which could hardly be more varied are juxtaposed in this concert given by the Ensemble Resonanz featuring works by Benjamin Britten, Milica Djordjević, Jean-Philippe Rameau and Enno Poppe. The string ensemble from Hamburg is however renowned for its stylistic flexibility. Just like Rameau’s dreams of new worlds back in 1735, the chamber orchestra engages with the newest developments in music of our time, simultaneously forging unexpected encounters with the Baroque era and mastering the performance practice of both ages with virtuosity. Enno Poppe expertly steers the varied strands of this concert programme while also premiering his new composition for the soloist Anna Prohaska: his “microtonal continuo” challenges the automatic acceptance of progress. His atmospheres shake the foundations of familiarity while reminiscing about the radiant diversity of the Baroque. In contrast, Djordjević evokes the energy of noise in her early work for string orchestra. Benjamin Britten took a completely different path shortly before the outbreak of World War II, inspired by poems by the Symbolist Arthur Rimbaud. The vocal line, embedded in a finely spun string texture, transports us into curious new spheres almost defying all rational understanding, in which the soloist sings the line loosely based on Rimbaud: “I alone hold the key to this wild parade.”
Benjamin Britten (1913–1976)
Les Illuminations op. 18 (1939)
Song cycle based on poems by Arthur Rimbaud
Milica Djordjević (*1984)
Sky limited (2014)
Version for string orchestra
Jean-Philippe Rameau (1683–1764)
Suite from the opéra-ballet Les Indes galantes (1735)
Enno Poppe (*1969)
New work for soprano, chamber orchestra and microtonal continuo (2026)
Commissioned by Ensemble Resonanz and Berliner Festspiele / Musikfest Berlin
World premiere
Four musical worlds which could hardly be more varied are juxtaposed in this concert given by the Ensemble Resonanz featuring works by Benjamin Britten, Milica Djordjević, Jean-Philippe Rameau and Enno Poppe. The string ensemble from Hamburg is however renowned for its stylistic flexibility. Just like Rameau’s dreams of new worlds back in 1735, the chamber orchestra engages with the newest developments in music of our time, simultaneously forging unexpected encounters with the Baroque era and mastering the performance practice of both ages with virtuosity. Enno Poppe expertly steers the varied strands of this concert programme while also premiering his new composition for the soloist Anna Prohaska: his “microtonal continuo” challenges the automatic acceptance of progress. His atmospheres shake the foundations of familiarity while reminiscing about the radiant diversity of the Baroque. In contrast, Djordjević evokes the energy of noise in her early work for string orchestra. Benjamin Britten took a completely different path shortly before the outbreak of World War II, inspired by poems by the Symbolist Arthur Rimbaud. The vocal line, embedded in a finely spun string texture, transports us into curious new spheres almost defying all rational understanding, in which the soloist sings the line loosely based on Rimbaud: “I alone hold the key to this wild parade.”
Benjamin Britten (1913–1976)
Les Illuminations op. 18 (1939)
Song cycle based on poems by Arthur Rimbaud
Milica Djordjević (*1984)
Sky limited (2014)
Version for string orchestra
Jean-Philippe Rameau (1683–1764)
Suite from the opéra-ballet Les Indes galantes (1735)
Enno Poppe (*1969)
New work for soprano, chamber orchestra and microtonal continuo (2026)
Commissioned by Ensemble Resonanz and Berliner Festspiele / Musikfest Berlin
World premiere
Artists/Collaborators: Anna Prohaska, Enno Poppe
A Berliner Festspiele / Musikfest Berlin event
Work introduction
16:10, Chamber Music Hall Upper Foyer
Work introduction
16:10, Chamber Music Hall Upper Foyer
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- Address:
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- Price:
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©olly - stock.adobe.com
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- Venue:
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© Quelle: Reservix-System
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- Date:
- Sunday, 13/September/2026 17:00
- Venue:
- Altes Gymnasium
- Address:
- Am Alten Gymnasium 1-3, 16816 Neuruppin
- Price:
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© Musikverein Neuruppin e.V.
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- Date:
- Sunday, 13/September/2026 17:00
- Venue:
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- Address:
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- Price:
- from €20.00
©olly - stock.adobe.com
Pierre Boulez Saal Spielzeit 2026/27
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- Date:
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